파일:The Temptations on the Ed Sullivan Show.JPG

파일 설명

설명The Temptations on the Ed Sullivan Show.JPG	English: 1969 Press Publicity Photograph 8" X 10" Original publicity still supplied by Bernie Ilson, Inc. / Publicity for Motown Records & The Ed Sullivan Show Left to right: Otis Williams, Melvin Franklin, Eddie Kendricks, Paul Williams, and Dennis Edwards
날짜	On or about September 28, 1969
출처	http://www.ebay.com/itm/THE-TEMPTATIONS-Press-Publicity-PHOTO-Motown-Dennis-Edwards-/350585721862?ssPageName=ADME:X:AAQ:US:1123
저자	Bernie Ilson, Inc.
다른 버전	이 파일은 추출된 이미지를 가지고 있습니다: Paul Williams of the Temptations on Ed Sullivan Show.jpg.

라이선스

이 저작물은 1929년에서 1977년 사이에 미국에서 출판되었으며, 저작권 표시가 없었기 때문에 미국에서 퍼블릭 도메인입니다. 자세한 내용은 허틀 차트와 공공 예술품 "출판"에 대한 자세한 설명을 참조하시기 바랍니다. 이 저작물은 미국의 저작물(저작자의 사망일 기준)에 대하여 단기 보호 기간 조항이 적용되지 않는 관할 구역에서 여전히 저작권 보호 대상이며, 캐나다(저작자의 사망 이후 50년), 중국 대륙(저작자의 사망 이후 50년, 홍콩·마카오 제외), 독일(저작자의 사망 이후 70년), 멕시코(저작자의 사망 이후 100년), 스위스(저작자의 사망 이후 70년) 및 그 외의 조약이 있는 국가들에 대해 주의할 필요가 있습니다. العربية ∙ беларуская (тарашкевіца) ∙ čeština ∙ Deutsch ∙ Ελληνικά ∙ English ∙ español ∙ français ∙ Bahasa Indonesia ∙ italiano ∙ 日本語 ∙ 한국어 ∙ македонски ∙ Nederlands ∙ português ∙ русский ∙ sicilianu ∙ slovenščina ∙ ไทย ∙ Tiếng Việt ∙ 中文（简体） ∙ 中文（繁體） ∙ +/−

Additional source information:

Bernie Ilson, Inc. has usually not included explicit copyright notices in its publicity photos, as shown in this 1983 photo of Susam Hammett and Michael Landon and another 1983 photo of Hammett.

As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):

"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."

Nancy Wolff, includes a similar explanation:

"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)

Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."

Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[1]